I had a great discussion with a musician from a local band
here in Atlanta this weekend. We talked about
the state of local music in the Atlanta/Athens area. We discussed who was writing what about the
subject, good or bad. We discussed local
music festivals and their willingness to bring in big bands for big bucks,
which in turn screws over the local musicians.
This musician shared with me his thoughts on what should be the path for
local businesses and local musicians and where those loyalties should lie. We enjoyed local barbecue sandwiches while we
talked, listening to the spring rain pound the roof in Little Five Points. In this moment I realized how important the
term local is to everything I buy, including my concert tickets. Now, ten plus
years removed from my residency of L5P, I completely understand what those
bumper stickers stood for and how much the local neighborhoods need local
support as well as the musicians in them and the art they produce. Oddly enough, the musical experiences I had
planned for the weekend turned out to follow this discussion to the t and it
pulled the blinders off my eyes for a lack of a better term. Local music here in Georgia is full of
musical peaches ripe with whiskey soaked voices and thundering guitars, loud
enough to make any outlaw happy.
After my superb
barbecue lunch at Fox Bros. in Little Five Points, I headed to Athens. Bloodkin was playing at the 40 Watt later
that evening and I had a meeting with Nuci’s Space in a few hours. On the ride, I listened to Bloodkin, shuffling
from album to album. I reminisced on my first
experience with Athens, Georgia years ago and how much I loved living
there. I thought about all the friends I
made there, working at Rafferty’s, and how simple life was then. I was first introduced to Bloodkin and
Widespread Panic in 1994, and those are days I hopefully will never
forget. I remember my roommate and me,
listening to Can't Get High, over and over again. We had both broke up with our girlfriends
around that time and that song seemed to heal whatever pain we were feeling. Now that I think about it, Bloodkin has quite
few songs that have helped with my healing from wounds from others and of my
own making. For years Rotgut and Quarter Tank of Gasoline were always two of my
go to songs when life got heavy. Now,
the entire Baby, They Told Us We Would Rise Again album has conveniently,
coincided with the last two years of my life, and in my opinion deserves every
bit of four stars and might be the best album the band has ever put out.
I walked into the
40 Watt with my friend Daniel from Athensrockshow.com Friday night around 10 pm
and the Dashboard Saviors were well into their opening set. I recognized the name of the band but I have
no recollection of them from my time in Athens in the early nineties. This is completely unfortunate for me. These guys freaking rocked. Now that I have a full on obsession for outlaw-alt
country-punk-rock, these guys blew me away.
The lead singer’s southern twang permeated my ears while I watched their
amazing drummer completely assault his drum kit as if it had just fucked his
girlfriend. His beats were fierce and eloquent
all at the same time. All I could think
about was how am I just finding out about this band now that they are for all
practical purposes defunct? It was like
falling in love with a woman in one night knowing you will never see her
again.
While Bloodkin
was taking the stage, Daniel pointed out to me the crowd was a who’s who of
Athens musicians. John Keane and Patterson
Hood and a few other names were there to check out the music for the
evening. The fans that had assembled to
see the show were older, definitely closer to Bloodkin’s age than the typical
college crowd. It had been years since I
have seen the entire band play. I caught
an acoustic show of Danny’s a few years back in Boulder, Colorado. It was exciting to hear that solid Athens
sound I fell in love with so many years ago.
Danny quickly apologized for the state of his voice, clearly showing
their age, in turn making me realize it has been almost 20 years since I first
saw this band. I was very happy to hear
them play My Name is Alice, a song that I have had on repeat for the last six
months or so. Rotgut, Mercy Train to
Bogart and Success Yourself were also highlights. Those are three songs that I could hear every
day and they would never get old. It was really fun to look around the crowd
and see folks my age and older getting down and rocking out to a much older and
wiser Bloodkin from what I had seen in my younger days. I could hear the love for the Rolling Stones
in Eric Carter’s voice when they closed with their rendition of Happy, and he
nailed it. They came back on after a
short break and encored with Henry Parsons Died and Dylan’s New Pony. Both, in my opinion, are painful songs about
the south full of mystery and the dark.
These are subjects Bloodkin portrays strongly in their music, which is
what makes me a fan. All in all, I
headed back to my hotel room after the show feeling completely full and
satisfied with my night full of home grown rock n roll. After all these years Bloodkin does not disappoint
and still knows how to play that straight up rock n roll I love so much.
On a big side
note, before entering the 40 Watt, Daniel insisted we stop into Flicker next
door to catch a bit of Scott Low’s solo show.
He swore that I would like it and he was right. Scott is a local Athens musician and the lead
singer of the self-proclaimed folk-rock band Efren. Scott’s whiskey drenched vocals immediately
pulled me in while he sang about hard times and hard drinking, while stomping
his boots to keep the time. Today, I
have listened to Efren’s latest release, Write a New Song two times over and I
cannot wait to see them live. They are
dynamic and full of roots rock and the southern twang that moves my soul. It will be exciting to see where these new
southern rockers end up.
It is safe to say
that “local” is the direction Locomotive is headed. I have spent my time following bands in the
big arenas and now it is time to rein it in a bit. My two new favorite bands, The Higher Choir
and Efren, neither which I have seen live yet, are the epitome of the music
that I love. Songs about hard living and
hard rocking are what seem to wet my whistle today. It makes me smile to be a part of this local
music and enjoy it while I can before it catches fire. I am not forgetting
about all those big national acts that I still love, just slowing down and
redirecting my focus on the local gems that could use a spotlight or two.
GO SEE LOCAL MUSIC